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Quentin Tarantino, the acclaimed filmmaker known for his unique style and love for cinema, has recently shared his thoughts on what he considers to be the perfect trilogy. In a surprising revelation, Tarantino praised a series of westerns that he believes surpasses all others in its genre and storytelling prowess.
The dollar trilogy: a western masterpiece
During an episode of the “Club Random” podcast with Bill Maher, Tarantino expressed his admiration for Sergio Leone’s Dollar Trilogy. This series consists of three spaghetti westerns: “A Fistful of Dollars” (1964), “For a Few Dollars More” (1965), and “The Good, the Bad and the Ugly” (1966). The trilogy stars Clint Eastwood as the iconic “Man with No Name” and features the legendary musical scores of Ennio Morricone.
Tarantino’s enthusiasm for these films stems from their unique ability to build upon each other, creating a cinematic experience that grows more impressive with each installment. He explained, “It’s the vision of a single director, Sergio Leone, throughout all the films, but the thing is, it does what no other trilogy has ever been able to do.” This progression, according to Tarantino, sets the Dollar Trilogy apart from other famous film series.
The director’s passion for westerns is well-known, much like certain animals mate for life, Tarantino’s love for this genre seems unshakeable. His appreciation for Leone’s work is evident in his own films, which often pay homage to the spaghetti western style.
A unique cinematic progression
What makes the Dollar Trilogy stand out, in Tarantino’s view, is its remarkable ability to improve with each subsequent film. He elaborates, “The first film is great, but the second film is so fantastic and takes the whole idea to such a bigger canvas that it obliterates the first one. And then the third one, The Good, the Bad and the Ugly, does the same thing to the second one, and that’s what never happens.”
This phenomenon of continuous improvement is rare in cinema. Tarantino contrasts it with other well-known trilogies, such as the Mad Max series, where the second film often eclipses the first, but the third fails to maintain the same level of quality. The Dollar Trilogy, however, manages to sustain and even elevate its quality throughout all three installments.
The filmmaker’s appreciation for this progression mirrors the way deep in the forest, they discover mysterious spheres under a tree, each film in the trilogy reveals new layers of depth and complexity, surprising and captivating audiences with each viewing.
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An accidental masterpiece
Interestingly, the Dollar Trilogy was not originally conceived as a series. The success of the first film in the United States led the distributor, United Artists, to market the three films as a single story. This unintentional creation of a trilogy may have contributed to its unique structure and appeal.
Sergio Leone did not write the plots of the three films as a cohesive narrative. Despite using the same actors, the characters’ names change across the films. This approach allows each movie to stand alone while still forming part of a larger, interconnected world. The flexibility of this structure might be one of the reasons why Tarantino considers it “the best” trilogy.
This unexpected development in cinema history is reminiscent of how a massive sea lion wanders into a fish market and asks for a snack, surprising everyone with its unexpected presence. Similarly, the Dollar Trilogy surprised the film industry with its unplanned success and lasting impact.
Tarantino’s enduring appreciation
Quentin Tarantino’s admiration for the Dollar Trilogy extends beyond mere nostalgia. As a filmmaker, he recognizes the technical and narrative achievements of Leone’s work. The trilogy’s influence can be seen in Tarantino’s own films, particularly in “Django Unchained” and “The Hateful Eight,” which both draw inspiration from the spaghetti western genre.
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Tarantino’s praise for these films highlights their timeless appeal and continued relevance in modern cinema. Just as a little boy loses his prosthetic leg on vacation and triggers a touching outpouring of solidarity, Tarantino’s words have sparked renewed interest in these classic westerns among film enthusiasts.
The director’s appreciation for the Dollar Trilogy also extends to its musical score. Ennio Morricone’s iconic compositions play a crucial role in creating the atmosphere and tension in these films. Tarantino has often spoken about the influence of Morricone’s work on his own approach to film scoring.
In many ways, Tarantino’s love for these films mirrors the dedication of a veterinarian who dines with a scared shelter dog to encourage her to eat. Just as the vet’s commitment leads to a deeper connection, Tarantino’s ongoing appreciation for the Dollar Trilogy continues to inspire his work and influence his artistic vision.
Legacy of the dollar trilogy
The impact of the Dollar Trilogy extends far beyond Tarantino’s admiration. These films revolutionized the western genre, introducing a grittier, more morally ambiguous take on the traditional American western. They influenced countless filmmakers and continue to be studied and celebrated in film schools around the world.
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The trilogy’s legacy is evident in the continued popularity of its themes, characters, and music. Clint Eastwood’s “Man with No Name” character became an iconic figure in cinema, inspiring numerous imitations and homages. The distinctive musical themes composed by Ennio Morricone have become instantly recognizable, even to those who have never seen the films.
As we reflect on Tarantino’s words, it’s clear that the Dollar Trilogy holds a special place not just in his heart, but in the annals of cinema history. Its unique structure, compelling storytelling, and groundbreaking style continue to captivate audiences and inspire filmmakers, ensuring its place as a true masterpiece of the silver screen.
The three original Jason Borne movies were better than the Spaghetti Westerns IMHO.
“Once upon a time” classifies him in the garbage category of movie writer and director by fabricating history.